How Do I Get A Book Published
So how will this Google Sniper make ,000 a month??
Author: cashforlifetv_ed
Google Sniper by George Brown, was designed to be easy to follow. It is not aforementioned those courses where they bring you a whole bunch of videos, books and other stuff and then leave you wondering where to start. Google Sniper is simple to understand. You have one big tutorial where everaything (down to the very last detail) is located. The system taught is to bring you a simple, step by step manner. George provides a collection of videos to supplement the theory and information in the book. As you are reading along, there are some lessons placed that simply tell you to ‘watch video X now’. These videos show exactly how things are to be done. Finally there are process maps. This a powerful addition and basically outlines the whole process from start to finish. You simply switch off what you have finished and quickly spot any item(s) that may have missed. These are additional videos so that when you build future sites, you do not have to review the whole course, but instead check out the step by step blueprint.
The Good
The system is designed in the aforementioned manner as the instruction are SIMPLE. Google Sniper is based upon the creation of tiny sites that bring in commissions for you while in complete autopilot for months and even years. The instruction teaches you exactly how to create these sites – the whole process from start to finish. Nothing is left out. The whole system is based upon your site promotional efforts for free targeted traffic which is obtained from having a top ranking on Google. First, you achieve this top 10 result ranking though targeting the right keywords. Secondly you use some of the powerful little known search engine improvement techniques that provide your site as having razor sharp focus in the eyes of the major search engines. George reminds us that traffic does not make money. You must focus on this traffic for all it is worth, through powerful pre-selling tactics and strategies in order to attract the highest amount of buyers you may bring to your tiny pages. Ultimately you want to use the system to maximize your sites profitability. George explains this very well on how good keyword research and proper targeting improvements and off site improvement (link building) equals a lot of traffic from Google, and all the targeted customers you will want. The instructions are very well laid out and easy to understand. What I really like about the system is that there is not a lot of fluff. You do not have to waste your time combing through a lot of repetitive information to get to the information pertaining to traffic and conversions!
The bottom Line This program is simple and effective in producing income that can be duplicated over and over again. As you build more smaller sites, the revenue obtained multiples. It does not take a lot of time to update your sites to increase revenue. Since the program is so simple, it is a great way to begin in making money on line. Both novice and pros can use these tools to make income on line. It is certainly worth purchasing and working as both a primary and alternative income stream.
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1. Query literary agent/agency looking for your book genre. If accepted, they will submit to publisher.
2. Self-publish. Submit “request for quotation” to independent book printers (if you have personal funds).
3. Subscribe to print-on-demand, vanity press publishers on web sites (careful).
4. Print shops for short runs of books for yourself, family, relatives, and friends.
The above “options,” are generalities–not having more details of what type of childrens books; e.g.,
picture books, chapter books, young adult books.
You know your question is funny, right? If you wrote a book, you already did major paper work….
The best thing you can do for yourself is to buy this book: “Guide to Literary Agents, 2007,” by Joanna Masterson. People really do get agents by following what’s set up in that book.
After the agent, if you’re lucky, comes the publisher, and Voila! (No certificates, no worrying about where–agent takes care of that, but it’s a good idea to know “houses.” You want to include your knowledge of publishers in your letters of inquiry to agents.)
Go to a book store and browse the books and see which house publishes books like yours. Get to know them, like Doubleday, Vintage, Penguin, Little Brown, Knopf, and on and on…. It’s easy, because you know what you wrote, so go to that section of the store and try to see what company appreciates and publishes the kinds of work you write.
You can do a great deal of this, also, by browsing on BarnesandNoble.com, as well as Amazon.com. Often, when you find a book that’s similar* to yours, you will go to that book, and there will be a list of other books, so you can go on and on. In the end, the agent will be the one to know where to send your work, but it gives the agent some idea of your understanding of what you’ve written, if you know where it’s best suited, when first pursuing an agent.
*By similar, I mean the genre; literature, science fiction, non-fiction, et cetera. I’m not implying anyone has written anything like your work!;)
And, of course, there’s always self-publishing, but I recommend that only as a last resort, and it IS a lot of work. Just go to any search engine and put in, “self-publishing.”
Good luck.
(The address below lists many books on how to get published, including the one I mentioned.)
My dear according to the latest version of the Federal Copyright Laws, you already own the copyrights the minute you write something. Save yourself the money.
I have posted this here probably hundreds of times but I guess I have to go through it once more. Persi’s Law #2 – NO Copyright is worth a darn without a badass lawyer to back it up. There are no Copyright Police. If your work is plagiarized, there is nobody at the Copyright Office who will help you. Your only choice is to hire a very expensive attorney. And that is assuming you even KNOW who the plagiarist is and where they are. Suppose all you have is their screen name? Suppose they are located in China? Then what? There is absolutely nothing you can do.
And as for the so called “Poorman’s Copyright” where you put your work in an envelope and mail it to yourself and them leave the envelope sealed, it is useless. All it proves is that on that date, you were in possession of those pages. It does not prove that you are the original author. I could put pages from Old Man and The Sea in an envelope and mail them to myself, but it doesn’t make me Hemingway. NO judge on earth would accept that as evidence. It is not worth the stamp. It is an URBAN MYTH made up by rank amateurs and spread by kids who do not understand copyright laws through sites like this. It is totally useless. Save the stamps.
There is only one safe copyright. Write your book, back it up and keep it in a drawer until you are through the rewrite and edit processes and ready to do something with it. The moment you post anything online, all bets are off. They are target for plagiarism. Anyone who wants to can steal them and unless you are willing to sue at great expense, you are out of luck.
As for your distrust of agents, that is completely amateur and unprofessional. Assuming you have gone through the standard Writers Beware channels, and know the agent to be reputable, accusing them of stealing is absurd. No reputable agent would do that. And to send them copyrighted material is terribly bad manners. It says to them “I want you to help me, but I don’t trust you.” It annoys agents to no end, and they wouldn’t even bother to read your work.
You must also remember that the book most likely will be sent to many agents before one takes you on. Rejections are common. Then getting an agent is no guarantee of a sale. That agent is going to show your work to many people – editors at publishing houses – in order to get a sale. So a lot of people are going to look at your work. You have to put your trust in all of them. That is just the way it is.
In short, you have to advocate for yourself. You have to seek out agents and do the research to ensure yourself that the agent is reliable and reputable. The rest is a little bit of luck and a lot of faith. Quite honestly, the best agents generally deal on referral from other authors they represent.
If you go to my profile, you sill see I star all good Q and A on writing and publishing. Several very successful authors have posted here. Feel free to skim through and read.
Hope that helps. Pax-C
Get Writers Market. It tells you which publisher is BUYING books from unknown authors.
Vanity Presses can charge YOU thousands of dollars to publish a book.
There’s tiers to this whole publishing thing. So you have different angles of attack, depending on what you’re writing. We’ll start with cautions, though:
DO NOT pay any money to anybody to get your work published. Anyone who wants a payment is a crook. Seriously. The flow of money is ALWAYS toward the author (even if it’s not a big flow). Second, do not expect to quit your day job. I’m told most frequently published writers of non-fiction travel-type books just about break even with their expenses (which is great, if you think about it – they get to travel and have great experiences and other people pay for them). There are, of course, some few full-time authors, just as there are a few professional athletes. The comparison (and rarity) is apt. Finally, do not get discouraged! A typical PUBLISHED book is rejected more than eight times. This is the way the business works! Almost every major author has a wall covered with rejection letters.
Okay. Now that we have those out of the way, the different approaches… probably in order of preference.
You can approach a major publisher. If you can get a major publisher to want to print your book, everything else can fall into place. They can easily churn out thousands of copies and throw more money into advertising than you can imagine, and can do so at the drop of a hat. Further, major publishers will turn you into a ‘brand’. They want people to buy books for no other reason than because you have written them (this is great for you!). It’s easy to tell a lot of books from major publishers because the author’s name is larger than the title, while all they claim for themselves is a small logo on the side. The bad news: there aren’t really many such companies, and the competition they have is fierce. This means they don’t want to take risks, and they are inundated with submissions. I’ve heard editors of major publishing companies bemoan the really good works that they weren’t allowed to publish because they couldn’t justify them to their boards of directors. However, owing to the advantages above, all major authors eventually migrate to this source of publishing.
Slightly less good is to get a good agent. An agent DOES do things you can’t possibly do, as well as things you’re not likely to do. For one thing, they look at hundreds of contracts, so they know a good one from a bad one, and they know it within seconds. It’s like the difference between processing your own divorce or hiring an attourney. The professional knows exactly what to look for and undoubtedly has considered options you have probably never even thought of. Furthermore, major publishers are used to working with agents. Your agent knows all their phone numbers, who is looking for what kind of work, and probably has lunch with the bigwigs to shmooze them on a regular basis (good luck doing that on your own). The bad news: agents can be as selective as major publishers themselves. An agent only makes money if they can sell your book, and further since they only get a fraction of what you get, they really want to sell dozens of your books. So if you can’t demonstrate that you’re a reliable, prolific, and profitable author, many agents will have no interest in you. I know of no well-known author who does not have an agent.
I’ve intentionally made the above two options look bleak, because practically speaking they ARE kind of bleak. But let me pause a moment to point out why it’s not hopeless. Both publishers and agents really, really want to be the one who finds the NEXT big author. This pays not only in money, but in prestige, and prestige goes a long way in their business. Once you prove yourself, they’ll both be fighting over you, but until you do, you’ll have to fight for their attention. Both go through reams of horrible, horrible work to find the pearls within, and usually do this in their FREE time. You have to love your work to do that.
First-time authors often have more luck with the independent press. Independent publishing companies do not have a ton of money nor a vast reputation. They are trying to establish THEMSELVES as a brand rather than you – so their hope is that people buy a book simply because they printed it. They get by with print-on-demand service instead of huge printing facilities and warehouses full of books, and bookstores are often less willing to make use of their services because they can’t eat the loss of unpopular books like major publishers can. So expect to see a lot more on-line selling and having to do the promotion for your book yourself. On the other hand, a good independent publisher is great for unknown authors precisely because you can piggyback on their reputation instead of the other way around. Likewise, because there are so many independent publishers, it is fairly likely that you’ll find one who specializes in your kind of work, no matter what it is.
Outside of that, there is always the sideways approach: gaining a reputation for writing BEFORE you publish a book. You can do this by getting everything possible printed – the more printing credits you have the better. Magazines can be a great help, though online stuff isn’t respected anywhere near as much as print stuff. Write a bunch of short stories, or try to serialize your first book. Some break in by writing other stuff too – journalism in newspapers, scientific reports, or even holiday cards. All of those things prove you can at least string words together and make SOMEBODY a profit.
There are about three main routes you can take today. One is a blind submission to a publishing house. Pretty tough. Second, you can land an publishing agent and hope they can put your manuscript into the right hands – you might be able to find an agent locally or on-line. Third, self publish on-line or through a local printer. You must register your work with the us copyright office – get that squared away first – I think it is still $35 bucks to get your copyright filed and it’s fairly quick (about two months turnaround). Secure the copyright prior to submitting your work anywhere. If you get an agent or publisher interested contact a lawyer to review your contract so you don’t get screwed on royalties – good luck.
Publishing is synonymous to getting that copyright for protecting your book which is why it is highly important to publish it. Protection can go a long way. But I’ve written something about the significance of getting a copyright (http://editorinchic.wordpress.com/2009/08/04/is-copyright-important/). I hope this helps.
Maybe you would like to ask around and perhaps shop around. Many would also suggest getting an agent which could take SO long for them to sit down and actually notice what you have there and believe me, we are not just talking months here but years. Let me give you something to peruse at while you are at it and hopefully this will help in your ride to the wagon of success.
I wish you luck! I got mine in the mail, too. Helps to collect these information before you get to decide. 🙂
You seem to have a really nice material and it has so much potential to get published. It is important that you concentrate on finishing your book and that you polish it to perfection.
You can get published through traditional publishers and you would need the assistance of a literary agent for your manuscript to get reviewed. The agent will guide you on what to do. Since this process takes so much time, you need to be very patient and get ready for rejections. When your manuscript is accepted, the publishing house will pay you for the rights to publish your book. You pay your agent when you start to earn from your book.
An option you can take is to publish the book yourself. Though there are people out there who have negative biases about self-publishing, I see this as a writer’s strategy to get publishing immediately and have full control of the book’s publishing.
Check this site that provides detailed and practical information on how to get your book published:
http://selfpublishingjourney.wordpress.com/
I hope you find this answer helpful.
How do you go about getting a book published?
If I were to write a book, what should I do to get it published? As a writer, do you have control of what the design of the book will be? What if it were a coffee table book where design is integral to the book, do you retain more control then?
How do I get my book published?
I’m writting a book, and I want to get it published. I’ve searched all over the internet, but I can’t find how to publish a book by scholastic, or any other publishing companies. I just want to know where to send it so they can read it and see if they like it.
And I don’t want to self-publish.
How can I get a book published without major paper work?
Say I typed this amazing story about something. And I want to get it published into an actual book to be sold worldwide. Do I need to have certificates that allow me to publish it? Where do I go to get it published? What are some of the popular book companys? Many questions, and need answers. Thanks.
How can i go about getting a book published?
I am in the process of writing a book. When i am finished, how exactly do i get it published? I would really like for it to get publsihed because i think my book will be a good one (it’s a documentary book)/
How much does it cost to publish a book, etc?
How do I get my book published without having my ideas stolen?
I’m a first-time author and I’m looking to get my book published. As far as I know, no one has written a book like this before. I need to start looking for an agent, but I’m scared of somebody rejecting the book itself but ripping off the concept. Its highly-marketable and in this day and age, somebody could easily just take the idea and run. Any suggestions on how to get published while still protecting myself and my work?
How to go about getting a book published?
I’ve written a fantasy about a boy who sacrifices himself to save his girlfriend, and becomes an angel. Several people whom I’ve shown it to have asked me if I’m going to try to get it published, but I don’t really know how. How long should a book be, if its of the fantasy genre for young adults? Do I print out a copy of it and email it to an editor or something? What are the steps I could take to get it published?
How and where do you get a book published?
I am starting to write a book soon, but I needsome more information. Like how do you get your book published? Do you have to patten it first so the publishers don’t steal it? Where do you find a publishing company? Do you just send the pages of ur book in an envelope and wait back to hear what they say? And how long does it take? And how do u find an editer?
Sorry for all the questions! If anyone knows about this or anyone who already has a book published, please help. Thank you!
How do I get a book published at a low cost? UK only please?
Have a story book that would be good to sell to schools and educators – want to sell them on my website but dont have much money to start off with !!
how do you get your book published? Is it worth it?
Hey so far this is what i’ve got 6 pages done but that’s only on a note pad I do not know how many i have on my laptop so what I need to know is where are some publishing companies in Oakville and the details on writing a book , number of pages what they will be looking for etc
it is in canada
well i did say im not done yet
How do I get a children’s book published?