If you've already written your first novel, you should be proud of yourself. This is a significant accomplishment that so few other aspiring writers can accomplish - even if they have been writing for years. But once you're done with this masterpiece, what can you do then? That's the part that has many written novels languishing in the desks of their writers, just hoping to be seen by someone else besides the writer's friends and family. Every writer wants to be published and see their words in print, but what are your options?

Get a Literary Agent

What you may not realize is that even if you're not a famous writer, you can go out and get yourself a literary agent. This is a person that will contact publishers on your behalf to try to get your book read and possibly picked up by a major publishing house. In exchange for their services, you don't necessarily have to pay them, but you will have to give them a percentage of the profits of your book once it is sold to a publisher.

You can find a literary agent by going online to find agents that are current accepting new clients. Just be sure to look to see what kinds of books the literary agent is currently accepting as you want to work with someone who is already knowledgeable in your genre of expertise.

Each literary agent will also have their own set of submission rules, so you will want to look for these or call their office to see what they need from you in order to evaluate the possibility of you becoming their client. Most of the time, you will need to write a cover letter, include a resume of writing experience, and your manuscript.

Find Your Own Publisher

Or you could skip the middle man that is the literary agent and do this work on your own. This will mean that you need to send your manuscript to various publishing houses to see if anyone is interested in learning more about you. The good news is that there are a number of great reference books available that can help you find suitable publishing houses for your genre, as well as listings of those publishing houses that are accepting new manuscripts right now.

Sending out your own manuscript is much more time consuming and may even be problematic as some publishing houses only like to deal with agents. However, it does allow you to remain in control of what happens to your book, who sees it, and who gets paid for it. If you should get a publishing deal on your own, you will still want to call in a lawyer to oversee the final contract process.

Publish it yourself

If you're not looking for literary glory or if you just want to see your work in print for no other reason than to show your family and friends, you can always publish your manuscript yourself. There are a number of new self-publishing websites and companies that can help you put your words into print, and even sell them on some online booksellers' websites.

All you need to do is to input your manuscript into their website or send your manuscript directly to these publishers. This will allow you to create an e-manuscript that can then be printed on demand or you can simply sell your manuscript as an e-book.

All of these options will help you get your words into print, but the best piece of advice if you are going for the publishing agency route is to be patient.

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Some time ago, I was hired by a woman with a harrowing family story to tell. She desperately wanted to share her tale, believing that it would expose truths and help other people, but she recognized that her writing was not at a professional book author’s level. So I agreed to ghostwrite the manuscript.

I had never done such a job before--editing books was my thing, not writing them--and I soon came to regret it. The woman lived far from me, so I never met her, and she had a difficult time understanding the level of detail I needed from her to effectively turn the events of her life into a potential book. The experience led me to ask: Can a deeply personal story be told in a deeply personal, affecting, true way--by someone who didn’t live it?

A recent poll showed that 81 percent of Americans believe they have a book in them. I’d bet that at least half those people have a memoir in mind. The genre has exploded over the past decade or so (though I’m still not sure how it differs from a good old-fashioned autobiography… Does anyone write those anymore?). But, of course, not everyone with a poignant story to tell has the writing skills to tell it effectively. So many turn to a ghostwriter for help.

If you fall into this category of aspiring author, keep this wisdom in mind that I gleaned from my own experience:

* Shop around. Make sure your prospective ghostwriter understands your story, not just knowing the events, but really getting what you want to say on a deeper level. To achieve such a connection, you must be completely honest and open with him/her. Hire someone in your geographical area if possible, so you can meet in person.

* Draw up a contract. Essential every time you work with another writer, even if it’s your best friend. Especially if it’s your best friend. Avoid any future conflicts about credit on the book jacket, whether the ghostwriter gets royalties or a flat fee, what happens if you decide it’s not working out, etc. Then you can focus on telling your story together.

* Tell your ghostwriter everything--and I mean everything. Reveal even things you don’t want to reveal in the book. Just as a character needs a back story, the ghostwriter needs context to make the story feel true. Trust is essential between you. Think of your ghostwriter as your therapist. Nothing leaves the room (except what goes in the book).

* Distance yourself from your story. Get into your ghostwriter’s head and realize that he/she doesn’t know what you know. Details are essential to effective writing, so while your daughter may not be a major character in your memoir, and while you may know every detail about your daughter, the ghostwriter doesn’t. Every character in a good book is richly drawn. So even if she’s in only one scene of the book, talking on the phone, tell your ghostwriter the color exactly how she acts when she’s on the phone--not to mention the color of her eyes, her best friend’s name… you get the idea.

The bottom line is that Brechtian, emotionally distanced memoirs don’t sell, unless you’re a literary genius on the level of Brecht. So if you decide to seek ghostwriting help to create your manuscript, make sure your ghostwriter can feel close and connected to you and your story. Make sure the book in your head can be channeled through them onto the page.

Many people may not directly associate software with profitability. However, our software has been proven to show increases in efficiency while reducing operational expenses. The Profitability Module can track phone calls, emails, letters, accounting transactions, on site visits, and more. When it's time to renegotiate contracts, you can pull a report that shows the total time spent working with the association and know your hourly rate. This is an indispensable tool for any management company.

We've also conducted numerous studies with our clients to put Condo Manager to the test and prove their ROI (return on investment). The results came back and the numbers show it - Condo Manager saves our clients time and money.

Take for example a recent study we did with a few clients. We watched one property manager prepare monthly reports for their homeowners associations. In Quickbooks, they had to print off each financial statement, search through the file folders at their desk to pull receipts, bank statements, and other document. Finally they pulled everything together into one file and had their monthly report completed. When all was said and done, they spent just over 57 minutes to produce one monthly report and they still had 7 associations left!

After implementing our software, that same property manager used the Monthly Report tool in Condo Manager. It included a custom cover page, financials, bank statements, invoices, and management reports with architectural requests, violations, maintenance requests, and communication items. The report had over 80 pages of easy to read financials and management reports. Her total time? Just under two minutes!

This property manager is saving 55 minutes every month for every association she manages. At 8 associations, shes saving 440 minutes every month or 5,280 minutes every year thats 88 hours of time saved with Condo Manager!

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Many software companies will talk about how their software can save time or save money. While they may save time in certain areas, their users make up for it trying to figure out how to accomplish basic activities or waiting on technical support to correct problems. Put Condo Manager to the test for yourself. Call us today to see how easily it really is to switch to Condo Manager.

I am often asked "Do you know of a publisher who would be interested in my book?" There's no easy way to answer this question. You see, according to the PMA Newsletter, there are over 86,000 publishers in existence (http://parapub.com/statistics). It would be impossible to know what each one is looking for at any given time. However you do know that you're not going to submit your manuscript or book proposal to 86,000 publishers. It would be a waste of your time and money. To improve your chances in the submission process, you have to do your homework. Here are a few tips so your research will be most effective:

Publishing Houses: Get the Facts

Can you submit your manuscript to more than one place at a time? Depends on where you're sending it. Unfortunately, each publishing house has its own set of rules for reviewing a manuscript that will have multiple submissions. You have to find out what those rules are. You can check out the 2006 Writer's Market, published by Writer's Digest. It's an excellent source for publisher's guidelines. So is the website, Literary Marketplace.

While reviewing these resources you should also note what kind of material the company publishes and what kinds of manuscripts and proposals they would like to see. Another way to get more specific information on this topic is to go to your local bookstore and look at books similar to yours. Note the publisher as well as the agent and editor who handled the book (they're usually mentioned in the acknowledgments). Granted, a publisher might turn your manuscript down if they feel they've "been there, done that", but on the other hand if the company has had success with the subject matter they may be scouring the landscape to find more of the same!

Looking for an Agent

Your research may tell you that the publishers who seem right for you don't accept unsolicited manuscripts. That means you'll need an agent so you'll have to start your submission process with literary agencies. If that's the case, the 2006 Guide to Literary Agents is a great place to begin your search. Writer's Digest publishes this hefty tome listing more than 600 non-fee charging agents.

All of the agents listed in the guide adhere to the ethical guides established by the Association of Author's Representatives (AAR). Members of AAR are forbidden from charging fees. So in one book you get the security of knowing the agent you're dealing with is on the level, plus you get a full understanding of what material the agent represents. That means you won't be sending your manuscript out on a fruitless--and costly mission.

Manuscript Mechanics

Don't get too caught up in the specifics of what your manuscript should look like. Your research will tell you if the agent or publisher wants your manuscript a certain way, but for the most part as long as it's double-spaced and printed with a clear, easy-to-read 12-point font such as Courier or Arial you should be fine. Put your name, book title and page numbers on each page and--this is key--don't staple anything. Leaving the pages loose make it easy for the recipient to make copies. This is necessary because usually more than one person will be reading your work.

One note: These days more and more agencies and publishing houses are accepting electronic submissions. Find out if this is the case for your targets. You can save yourself some money and a trip to the post office!

The Entrepreneurial Mindset

Banish all fear. I know that's easier said than done, but look at it this way. If writing is something you really want to do, then manuscript submissions will become a regular part of your life. You don't want to go through your days and nights in a constant state of submission angst! It makes me feel tired just to think of what that would be like!

Instead put yourself in the mindset of being a writer and a businessperson. Your writing is your product. You will put out the best product possible. Know that the bulk of your rejections will have nothing to do with the quality of your product so don't take it personally. You move on to the next prospect with the same positive attitude that the next one may be the right one. Know that writing is part of your work. Being afraid isn't.

© 2006 Sophfronia Scott

I began my writing career as a poet, and I’m still a poet. So my journey into fiction was never a planned career move. In fact, my first short story arrived as a complete shock. No kidding.

Because I have written and published poetry in books and magazines for years, I’ve developed a writing schedule that provides time to write every day, always a half hour after breakfast each morning and again after dinner every evening. I also keep a notepad and pen next to the bed to capture any lines of poetry if they float through my mind while I drift off to sleep. This means I’ve not only learned how to write pages of notes in the dark but also how to decipher those scribbles in the morning.

About eleven years ago, as I fell asleep one night, several lines suddenly appeared. Before I could decide to wake up and write them down, a startling thought flared in my mind like a wild firecracker: “This isn’t a poem…it’s the first paragraph of a short story, and I’ve never written fiction before!”

My eyes popped open, I grabbed the notepad, and followed the thread of those lines until I’d written three paragraphs of a short story in the dark. That was my first experience seeing an imaginary character in my mind and following her around, writing down her words and actions.

Throughout the next year different characters and their stories peopled my mind, and I began writing and publishing short fiction in magazines. I had never taken a writing class, so when I began writing poetry in my early thirties, I studied the books of contemporary poets, and eventually developed my own form of free verse poetry. I approached fiction in the same manner. I read and studied all the short story collections I could find, and ultimately created an experimental format for my short fiction, which resembled a prose poem composed of segments, each signaling a scene change or a change in a character’s thought process. Editors loved it, and almost all of my short stories appeared in magazines and literary journals. Those stories were eventually collected in a book that sold well for many years.

But two years later, short fiction no longer satisfied me, and I began to crave a longer form of creative expression, like a novel or novella. I could feel a novel percolating within me, but I knew nothing about the characters or plot. With no revelations emerging from my subconscious, I sensed this novel needed time to develop, so I began writing poetry again and published several poetry books.

Five years passed, and then one afternoon the title of the novel suddenly sizzled through my mind. The next day the main character appeared and announced her name. And on the third day she began telling her story, and a plot emerged. At the time, I had just started a new collection of poetry, but that hardly mattered. I’d been waiting for this novel for years, and once it arrived I dropped everything, grabbed my notebook (all my first drafts are handwritten), and four months later I had completed a short novel. Years later, I would add more material to this novel and republish it as the first in my series of Occult novels for women.

After the main character in that first novel began speaking, the entire writing experience flowed quickly in the white heat of a creative blaze. I always say I’m lucky I remembered to breathe during those amazing months! But don’t let this throw you. That was the first and last time I had to wait for a novel idea. Now new characters and plot ideas arrive frequently, and the day after I finish one novel I usually begin the next.

So, how did I write my first novel? First, I let the main character tell me who she was and what the primary plot of the novel would be. Next, several subplots emerged. And that was all I needed to start writing. For short stories I never used a structured outline. Instead, I patched those stories together organically, as if they were fabric swatches in a quilt, jumping back and forth between the past and present, allowing the characters to tell me what comes next. If you work this way too, you’ll feel comfortable arranging the scene and the characters in your mind, grabbing your notebook, and then following the characters around, writing down their words, thoughts, and actions. However, I found the prose poetry format I created for my short stories wouldn’t work for a novel. It just didn’t feel right. So I tweaked and tweaked and developed another experimental format that I still use today.

As I mentioned before, I do not use an outline for my novels, but I do edit each chapter completely before I continue. I work like this for two reasons. First, I submit each chapter as a short story to magazines and literary journals when I finish it, so the novel will gain publication credits, the kind of acknowledgements publishers and agents love to see. Second, polishing each chapter gives me the time to submerge myself in the characters and to intuit how the story should progress into the next chapter. Best of all, when I finish the last chapter I have a polished novel manuscript. Then it’s just a matter of going back and adding details to earlier chapters, important data that emerged during the process of writing the novel. Finally, I conduct one last punctuation and grammar check, and that’s it. I’ve written another novel ready to be published by one of my publishers.

If you follow this formula, relax, and allow the story to develop organically, you’ll end up with a polished first novel manuscript sitting on your computer desk before you know it. And you’ll enjoy every step of the process!

Creative writers and journalists sometimes have the problem of smoothly transitioning from one paragraph to the other, especially when they are changing the subject. This is a learned skill that is not hard to master. By the time you read this article, you will fully understand the trick to it.

When we writers hop from one topic to another without a transition sentence, we "jar" our readers. While sentence transitions may be the last line in a paragraph, they are more commonly used as the first line in a new paragraph. They are like a bridge, connecting one idea to another.

Warted characters are memorable. The warts help the reader identify the characters in their minds.

Huh? What happened to the discussion on transition sentences? Were you trying to figure that out? If so, now you know how a "jarred" reader feels. Warts don't relate to transition sentences at all, but we can make them relate by connecting the topics like this: (repeat)

"While sentence transitions may be the last line in a paragraph, they are more commonly used as the first line in a new paragraph. They are like a bridge, connecting one idea to another.

[transition sentence]
We could compare sentence transitions to 'warts' on characters. 'Just as a 'wart' will blend readers minds with the character's identification, transition sentences will blend readers minds to the change of topics."

(Notice that we can use more than one transition sentence to help the reader follow our train of thought.)

Here is another example from a camping article. We're picking up toward the end of the article. The subject was preparing for a vacation and using a credit card for gasoline purchases. It will now blend into an after-vacation recap of never paying interest. See if you can pick out the transition words.

"For every ,000 you charge on a Flying J credit card per month, you will receive a coupon, which can be used at the online Flying J, or in their restaurant.

By combining the above suggested methods with this plan, you will seldom, if ever, run out of vacation money or have to use an ATM machine; further you will never owe interest, never make a physical payment, and never carry a balance."

What were the transition words? I'll tell you - "By combining... " and the word "further". Those three little words exited a financial camping program and carried the subject to the after-vacation recap.

Certain words make good transitions. Some of them are: further, besides, in addition to, instead of, specifically, to sum up, although, beyond, close, for instance, again, moreover, accordingly, as a result, during, to illustrate, finally, on the contrary, to compare, consequently, if, then, meanwhile, but, nevertheless, therefore, subsequently, otherwise, so, formerly.

Your Assignment: pick up something to read and pick out the transition words. They will always be in the first sentence of the next paragraph. After you've done this a few times, look at some of your own work and see if you can improve your transitions.

See below for a Christmas writing sale!

Literature of America touches on handwriting or literature developed in the United States of America (Colonial America).

In the beginning, America was a lot of British settlements on the eastern coast of the U.S.A. Consequently, its literary tradition begins as joined to the panoptic tradition of English literature. Notwithstanding, distinctive American qualities and the breadth of its production usually now make it a independent course and tradition.

Puritanism and Early American Literature

Two Significant New England Colonies:

The Plymouth Colony

Mayflower comes in 1620
Leader - William Bradford
Colonists acknowledged as Pilgrims and Separatists
Mayflower Compact institutes economic, social, and religious freedom, while preserving links to Great Britain.

The Massachusetts Bay Colony

Arbella comes in 1630
Leader - John Winthrop
Colonists are generally Puritans
Arbella Covenant clearly institutes a spiritual and theocratic settlement, free of ties to Great Britain.

Puritan Opinion

Depravity - because of the fall of Adam and Eve everyone is sinful - construct of First Sin.

Blunt Choice - God delivers those He wants - only some are ordained for salvation - construct of foreordination.

Special Expiation - The Lord Jesus died for the selected exclusively, not for the people.

Resistless Grace - God's grace is given freely, it is not attained. Grace is defined as the saving and transfiguring power of God.

Relapsing - The belief that saved worshippers, those displaying conspicuous signs of grace, can fall into temptation and become sinners. To prevent this from happening, believers were expected not to become self-satisfied, engage in constant self-evaluation, and constant prayer. The Prince of Darkness was particularly concerned in snaring such church members.

Puritan Writers Function

To praise God.

To metamorphose a mysterious God - mysterious because He is set-apart from the world.

To claim God more related to the world.

The Style of Puritan Writing

Puritan's literature echoed the persona and backdrop of the reading public, which was literate and well-educated in religion.

Protestant - against ornateness; deep respect of the Bible.

Famous Literary Writers of the Time

William Bradford (March 19, 1590 May 9, 1657) was a principal of the separatist colonists of the Plymouth Colony in Massachusetts, and was chosen thirty times to be the Governor. He was the principal architect of the Mayflower Compact. He is credited as the first to exclaim what mainstream American culture now deems the first Thanksgiving.

Anne Bradstreet (1612 September 16, 1672) was the first female American writer to have her works published. Most of Anne's poems are founded on observation of the world around her, centering mainly on housewifely and religious motifs. Once considered mostly of historical interest, she won critical acceptance in the 20th century as a writer of enduring rhyme, particularly for her series of religious poems called "Contemplations", which was not published until the mid-19th century and written for her family.

Captain John Smith (1580 June 21, 1631), was an English author, soldier, and sailor. He is remembered for his part in establishing the first permanent English colony in North America at Jamestown, Virginia, and his short-lived association with the Native American girl Pocahontas during a fracas with the Powhatan Confederacy and her father, Chief Powhatan. John Smith's books are as significant as his actions, for they encouraged more English men and women to start a new and better life in the New World. Smith gave the name New England to that region, and encouraged people with the comment, "Here every man may be master and owner of his owne labour and land...If he have nothing but his hands, he may...by industrie quickly grow rich." It was a powerful sentence, which pulled in millions of people to America over the next four centuries.

Samuel Sewall (March 28, 1652 - January 1, 1730), was a Massachusetts judge, well-known for his involvement in the Salem Witch Trials, for which he later apologized, and his denouncement of slavery in "The Selling of Joseph".

Michael Wigglesworth (October 18, 1631 - June 10, 1705) was a Puritan minister and poet whose "The Day of Doom" was a best seller in early New England. He thought that he was basically not suitable to believe in God as a result of only being human. When he underwent a series of nocturnal emissions as a young man, he was then convinced of his own damnation. Through his diaries, he recalls his struggle to remain good and pure, despite repeatedly relapsing into what he perceived as man's instinctive corruption.

This article is an excerpt from ACE the CSET English study guide and online course. In the course, we study all 13 authors of the Puritan period and continue on through the late twentieth century postmodernism literary period. The CSET English course has computer generated chronology, fill-in, and matching exercises that make it possible for you to quickly memorize the information you need to pass the American literature section of the CSET English exam.

This helpful free article is provided to students by ACE the CSET. Visit our website for more information and thank you for your continued support.

Romantic Era originated in Europe in the Mid 18th century. Also known as the Romanticism the reaction to the Industrial Revolution strengthened it. It was portrayed strongly through literature, science, music and arts and impacted history, education and historiography very highly. This paper will tackle the development in literature during the Romantic Era with emphasis on people, experiences, and events that influenced Romantic writers. People played a great part in influencing Romantic writers. Between 1978 and 1800, Samuel Taylor and William Wordsworth in their lyrical ballads illustrated invigorating artistic skills in poetry. They expressed experiences, languages, imagination and emotion found in nature. Poets in romantic period wrote about the medieval, the supernatural, the marvelous and the exotic. The simple lives rural people had as well as everyday world's aspects were the beauty these poets.

The themes that were recurring were respect for pure nature, responsiveness to women and children, and heroic artist isolation. Writings of Nathaniel Hawthorne and Edgar Allan Poe were based on human psychology and supernatural. New ideas also emerged as a result of romanticism leading to positive voices emergence and thus benefiting some parts of the society (Tim, Debbie and Peter, 18). Johann Wolfgang von Goethe was a German who influenced other young men by his novel 'The Sorrows of Young Werther'. He influenced the sense of nationalism by unifying many separate states that Germany had. In Spain Jose de Espronceda was the most important poet in the country. Jose Zorrila and Gustavo Adolfo Becquer were among the best poets that followed. In Spain regional literatures were influenced by romanticism where writers wrote in their local languages. In the first period Brazil literature was developed in order to create a sense of national identity with authors like Jose de Alenxar and Goncalves Dias.

The influence of traditions and themes of European evolving around despair and sadness of love occurred in the second period. Castro Alves was the greatest writer in the third period whose poetry focused on social matters. William Wordsworth and Samuel Taylor were co-authors of Lyrical Ballads in 1798, as Romanticism developed in Britain. Poets epitomized their claims towards social matters. There was less development of Romanticism in Roman Catholic countries than in other countries like Britain, though it developed when Napoleon rose. The paintings of Theodore Gericault in France were part of the Romanticism movement taking place in the country. In Portugal, Almeida Garret helped shape poetry by his work as an outstanding writer. United States authors focused on passionate landscape descriptions and heroic simplicity. Washington Irving and James Fenimore Cooper were the most prominent authors that time. War in the Romantic Era also played a big part in influencing Romantic writers. The French and Indian War of 1754 to 1763, French Revolution of 1789 to 1799, The Seven Years' War of 1756 to 1763 and American Revolution had an impact on Romantic writings. The political and social chaos brought about by these wars produced strong feelings that channeled the outburst of literature which had never been experienced before.

This led to Romantic Era literature (Tim, Debbie & Peter, 25). Romantic Era writings were unique and based on sense of nationalism, supernatural and love of nature. These can be related to what was going on during the political chaos. Writers who brought a sense of nationalism in their writing contributed in their own way to the fight showing how proud they were of their people and their countries. Long before Romantic Era, literature was meant for wealthy people especially the upper class but Romantic writings brought people together as if was for everyone especially the ordinary citizens. Romantic writers connected the upper class and the lower class to create one united society. Writers used their works during political and war chaos to reach out to those supporting it. War also saw female writers rise during the Romantic era. While men went to war women remained at home without a way to express what they felt and fight for what they believed in. War time thus led women to write as a way of fighting for their cause. 'War in the Air' is Mary Favret work, one of the female Romantic writers who arose, using her work to infuse what she felt.

Most works of writers have signs of political unrest and war effects which every reader should be picking out (Paula & Theresa, 43). Romanticism in some parts of the world influenced Romantic writers in other parts of the world. Individualistic of Romanticism in America was just like it happened in European parts of the world. Romantic Movement was attracted to those Americans who wanted to be free from religious traditions that were strict. They embraced to the new religion (transcendentalism) which made it less strict to have a personal relationship with God. American Romantic writers expressed their feelings on freedom from strict law and custom. These writers wrote against the American society materialism and called for transformation in culture. According to Bygrave Stephen (91), Romantic women writers were influenced by their position in the society as writers. Their writings were not included in the compilations of literature works done by male. Women writers were seen as losers both writers and readers faced pressures and anxieties which their male counterparts didn't.

The woman who was learned had anxiety of him being a good mother and a wife. A woman was thought to develop a dangerous act if she engaged herself in fiction when writing a novel. Public identity brought about by publication even brought more anxieties for women's especially the impact of their work to culture. Fanny Burney a female author published her novel anonymously in that even her father didn't know she was the author. She reveals the woman's anxieties by pretending she is the editor but not the author. She hides her gender and name from the public. She states,

With a singular mixture of timidity and confidence, resulting from the peculiar situation of the editor, who though trembling for their success from a consciousness of their imperfections, yet fears not being involved in their disgrace, while happily wrapped up in a mantle of impenetrable obscurity.

(Burney, Evelina, 1982 edn p. 7)

Women writers wrote expressing their embarrassment of being writers of their novels but on the other hand having a sense of pride.

Romantic literature was portrayed in poetry and novels with different writers rising up. Writers influenced romantic writers as well as war and experiences of life. Romantic women writers were influenced by war and their position in the society as writers.

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Source: http://www.sooperarticles.com/education-articles/college-and-university-articles/developments-literature-during-romantic-era-272819.html

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A Conversation With Anne Newton Walther Author Of Loss Of Innocence: A Novel Of The French Revolution

Today, Norm Goldman Publisher & Editor of http://Bookpleasures.com is excited to have as our guest, Anne Newton Walther author of Loss of Innocence: A Novel of the French Revolution.

Anne has appeared on Oprah Winfrey, CNN's Sonja Live, Cable Network's Attitudes, NBC's Jenny Jones and countless other local television and radio interview shows in the U.S. and Canada. To her credit Anne coined the phrase "divorce hangover" and brought it into the lexicon of divorce. Her book, Divorce Hangover, deals with the emotional after effects of divorce. She has a background in history and psychology and heads a divorce and career counseling firm. Anne was raised in Virginia and now lives in San Francisco where she and her husband raised their five children.

Good day Anne and thanks for participating in our interview.

Anne:

Hi, Norm. It's my pleasure.

Norm:

Will you share a little bit about Loss of Innocence: A Novel of the French Revolution with us?

Anne:

Loss of Innocence is my second novel about revolutions. Eugenie Devereux, the glorious central character, made her debut in A Time For Treason, A Novel of the American Revolution. As a member of the French nobility, like her friend Marquis de Lafayette, Eugenie is infected by the political principles and lofty ideals of the Americans' revolution and is determined to see them carried out in France.

In Loss of Innocence, Eugenie and historic revolutionary figures of that period are swept up in the events that propel the revolution from its bright beginnings down a dark road to chaos and violence. The action gallops back and forth among the colorful locales of Paris, the Palace of Versailles and the Bordeaux valley.

The driving force of the novel is a little known actual conspiracy between a group of the French nobility, themselves revolutionaries, and Americans who plot to rescue Marie Antoinette and spirit her across the Atlantic to Pennsylvania where a town is being built as a sanctuary for her. The passionate romance between Eugenie and Bridger Goodrich, a historic Bermudian shipper of that time, is a vivid thread in this rich tapestry.

Norm:

What's the most difficult thing for you about being a writer?

Anne:

The most difficult thing for me about being a writer is the isolation. It's a lonely business. I must say, though, in writing fiction, I have a lot of company. I have all my characters to play with.

Norm:

How and why did you become interested in the French Revolution? And as a follow up, what motivated you to write Loss of Innocence: A Novel of the French Revolution?

Anne:

It was the natural follow up to the American Revolution and the natural next adventure for Eugenie. In both novels, an actual historic event was the catalyst that compelled me.

Norm:

I notice on reading your bio and as I indicated in my introduction, you head a divorce and career counseling firm. Does this interfere with your writing career?

Anne:

I still work with clients, but on a much smaller scale.

Norm:

Do you feel that authors, regardless of genre owe something to readers, if not, why not, if so, why and what would that be?

Anne:

I absolutely feel authors, regardless of genre, owe something to readers. I am an avid reader. When I read a book and am spellbound, entertained, informed and transported to a time and place and come to know and care about the people there, I feel enriched by the experience and indebted to the author of that book.

On the other hand, when the people and place are poorly drawn, the plot sloppy or thin and I finish the book (or not), I feel somehow defrauded and worst of all that I've wasted my time, the most priceless thing I possess. I feel I owe my readers, whom I appreciate beyond words, entertainment, information and a magic carpet that leaves them richer for the experience.

Norm:

In fiction as well as in non-fiction, writers very often take liberties with their material to tell a good story or make a point. But how much is too much?

Anne:

Norm, needless to say, I can only speak for myself. To me, there is a very special bond, relationship if you will, that exits between the reader and the writer. I believe that any relationship, this one included, begins with and is built on trust. To the best of my ability, I do my very best not to betray that trust with my readers.

Norm:

How do you come up with ideas for what you write? What methods do you use to flesh out your idea to determine if it's salable?

Anne:

With each book that I've written I have felt inspired and compelled to take up the journey. In my non-fiction books, Divorce Hangover and Not Damaged Goods, I believe I fill a void that exists in the marketplace for people who are trying to work through a difficult issue in their lives. In my novels, I write what I, as a reader, would like to read.

Norm:

Can you explain some of your research techniques, and how you found sources for Loss of Innocence: A Novel of the French Revolution?

Anne:

Research, to me, is one of the great rewards of writing. I have a tremendous curiosity. I'm a natural investigator and interviewer, which really come in handy. First hand accounts, primary sources are invaluable, the best.

Norm:

Can you tell us how you found representation for Loss of Innocence: A Novel of the French Revolution? Did you pitch it to an agent, or query publishers who would most likely publish this type of book? Were there any rejections?

Anne:

All the above. Writing is the easy part.

Norm:

What challenges or obstacles did you encounter while writing your book? How did you overcome these challenges?

Anne:

Time is my challenge. I have a very full and demanding life, which I love. I am very fortunate that, so far, I have never experienced "writer's block".

Norm:

How did you celebrate the completion of your book?

Anne:

What a wonderful question! I celebrate WITH the book, doing book signings, promotions, interviews. I'm celebrating now with you with this interview. Thank you for giving me the opportunity to celebrate.

Norm:

Is there anything else you wish to add that we have not covered and what is next for Anne Newton Walther?

Anne:

I have received remarkable feedback from my readers about A Time For Treason and Loss of innocence which I'm very thankful for. What is especially touching for me are the ones that say, in so many words, that I have brought history to them, brought it alive for them, in such a way that for the first time they feel an interest in history, historical events, historical fiction that they'd never felt before. That's beyond words for me.

I thank them and I thank you, Norm for giving me this opportunity. Your questions were VERY provocative and really made me look at my writing and my work from new perspectives.

Thanks once again and good luck with all of your future endeavors.

About the author: Anne Newton Walther has a background in history and psychology and heads a divorce and career counseling firm. Anne was raised in Virginia and now lives in San Francisco where she and her husband raised their five children. Visit Anne Walther

Source: http://www.isnare.com/?aid=177010&ca=World+Affairs

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